Vegetable

In between cruises when you’re pining for the late-night lido deck scene, there’s no better way to escape the quotidian than an island-themed luau. Lining the slow cooker with banana leaves and filling it with seasoned pork can really generate a breezy mood. The cheater way is to put a whole banana, skin and all, on top of our Luau Pork during cooking. It gets the party point across just as well. To carry the theme, think side dishes with tropical fruits, macadamia nuts, coconut, and rice.

Heating up in the desert sun, chipotles bring the smoke; lemon takes over for the vinegar.

Have we cheesed you out? Take a cheese break and try this straight vegetable-bean puree with nutty sweet garlic and smoked paprika. It may not be the lead-off dish to a night of Crock Dogs, but it fashionably introduces dressier barbecue dinners. We especially like it with Tandoori BBQ Chicken Thighs (page 96), Cider-Soy Pork Tenderloin (page 79), House Lamb Shanks (page 128), and Ultimate Cheater Oven-Smoked Salmon (page 132).

Hummus may come and go, but warm spinach cheese dip, with its highly satiating qualities and homey familiarity, is still and always will be an excellent choice for casual parties involving cocktails. Broiler-charred jalapeños are our spin to bump this old classic into flavor advanced placement. As with any creamy cheese spread, R. B. will find any leftovers, no matter how buried in Min’s fridge, to plop on open-faced burgers.

In addition to seasoning the Roasted Eggplant White Bean Spread (page 25), roasted garlic with a little smoke adds great flavor to hummus, mashed potatoes, and butter or olive oil spread on bread or over a steak. Blend roasted garlic with some mayonnaise for burgers and sandwiches.

In spite of his Irish tendencies to worry and brood, R. B. pretends to think of himself as an upbeat guy who genuinely wants to like things. Even so, he’s given up on grilled shrimp-stuffed jalapeño peppers. It’s hard to cook a raw shrimp tucked inside a pepper unless the pepper is roasted to bitter death. Cheesy alligator snouts—broiled and blistered jalapeños with melted cheese—never disappoint. Broil or toaster-oven these treats and all they need as garnish is plenty of cold beer. Serve the broiled snouts as a conversation-starting appetizer, whole and hot from the oven, or sliced and set in little tortilla scoops. Serve them as a side to a Mexican feast paired with Cheater Carne Adovada Alinstante (page 56). Jalapeños are usually tolerably hot, although it’s impossible to know until you take a bite. Satisfy all your guests with a combination of hot green jalapeños and the mild mini red and yellow sweet bell peppers.

For more than fifty years, Min’s two family branches, the Merrells and the Almys, have been eating at the Cortez Cafe in Carlsbad, New Mexico. The food is straightforward Tex-Mex and always finishes with a round of sopapillas and honey. Back in the ’70s, the family thought nothing odd about beginning meals with bowls of fiery green salsa scooped up with saltine crackers. The Cortez has since switched to tortilla chips and you may prefer them as well, but the Merrell-Almy clan retains its hot spot for salsa and crackers. Pining away in Nashville for that distinct Cortez flavor, Min thinks she’s figured it out—it’s mostly fresh jalapeños. Min’s cousin Eric, knighted Sir Cortez by the clan, now brings his version of Min’s Cortez Salsa recipe to every family dinner—with sleeves of only the freshest saltines, of course.

In the Sard dialect, the town of Villagrande is called Biddamanna. There, a vast parcel of Sard earth is su cumonale—owned by everyone of the community. Shepherds can pasture their sheep, townsfolk can collect wood for their fires, a family can cultivate a small orchard, a garden of vegetables. The Biddamannesi can walk kilometer after kilometer through forests, into the mountains, onto the moors, hunting, foraging, gathering, as they have done forever in this town with no walls, no fences. And, too, they cook for each other over great fires laid in the piazza near the village hall on feast days. Cauldrons of thick soups, mutton poached with wild grasses, and beautiful handmade pastas are offered with baskets of pane carasau and barrels of rough, purply cannonau. Though all Sards seem passionate about making packets of their food, these Biddamannesi seem more devoted, even, to the pursuit. They urge rough doughs into pouches and pillows plumped with all manner of savories and sweets, the bundles tumbled into gurgling oil or baked over wood embers or gently poached. Culingionis are raviolo-like pasta typically stuffed with bitter greens and an acidy, fresh ewe’s milk cheese or a paste of potatoes, nutmeg, cloves, wild mint, and pecorino. Though these are luscious, it is a half day’s ceremony to make them. Hence, I sometimes wrap the good potato paste in a crisp quilting of cheese pastry, a quickly done deed that gives up all the savor of the culingionis plus the prize of a gorgeous scent as the crostata bakes to crispness.

In the late summer and early autumn, in the interior of the island, the great harvests of pumpkin and squash are preserved by the farmwives in varied fashion. Often the flesh is cooked down to a marmalade and sparked with candied oranges, or poached chunks of it are set to rest in a sweet vinegared brine. Too, thick slices of poached flesh are often rolled around in a sugary syrup and left to dry. Of a most luscious flavor, this candied pumpkin is sometimes used with dark rum and a handful of broken, bittersweet chocolate, to make a tart like the one we were served in the village of Milo. I was dazzled by it. But when I heard of the perplexing process by which the tart’s author had candied the pumpkin (she began by saying that I should gather fifty to sixty pumpkins), I was slightly shaken. I found, though, that simply roasting the flesh of a pumpkin or squash and then bathing it in caramelized sugar gives a flavor similar and perhaps even richer and requires far less drama.

It is neither a purply, sugared mass nor cold and puckery pap, the true caponata, but a baronial dish first fashioned by the great monzù—dialect for monsieur—the title given to the French chefs imported by the nobility during the reign of the Bourbons. Borrowing from a dish left by the Arabs and tinkered with by the Spanish, the monzù exalted the simple braise of eggplant and tomatoes, building a set piece of it, spicing its sauce with oranges and cloves and even a whisper of cacao, then bejeweling it with roasted lobsters and prawns. I thought it, alas, only an historical dish. But with some supplication of a Palermitano friend, ricette antiche—ancient recipes—were unriddled and, after days of bombast and wrangling discourse, one cook was fixed upon who might still build The True Caponata. Two evenings later, I was indulged. The dish is a beauty even if one wishes not to garnish it with the roasted seafood. Then, one calls it la caponatina. Stuffed inside the belly of a whole fish—a sea bass, a salmon, a cod—and wood-roasted, it is splendid.

There is wild tufted mint between the megalithic stones of its befogged and silent fields. And Africa whispers up sultry winds, caressing the place, adding to the sensation of faraway. This is the island of Giovanni di Lampedusa, author of Il Gattopardo, The Leopard. It is a mystical space etched by the ancients, one after another of them who, having stayed for a while, imprinted it, abandoned it, to its own muffled secrets and to the great lumbering turtles and seals who live there still. Surely not Italy, not, perhaps, Sicilia nor even Africa, it is somewhere else, this Lampedusa. Inhabited, finally, without interruption since 1843, when the king Ferdinando II came to claim it, a family descended from this settlement was once our host. The children and their nanny showed us the best, most secret places to collect the wild mint of which we’d grown so fond, we making a salad of its leaves and other wild grasses when enough of it could be foraged. One afternoon, after a particularly good harvest, we emptied our pockets of it onto the kitchen table, thinking we’d all feast on it at dinner, and went upstairs to bathe and rest. Later, the loveliest of perfumes told us that the mint had been seized by the cook and that she’d done something magnificent with it and tomatoes. Here follows a version of her gorgeous frittelle.

Daughter-of-the-wind is her name in Arabic—Bent el-Rhia—the gorgeous island of Pantelleria sits seventy kilometers from Tunisia in the Egadian Archipelago. She is full of sea caves and strange, vaporous grottoes. She wears Neolithic ruins among her palms and oleander. And in the contrada, neighborhood, called Favarotta, we ate swordfish—thin steaks of it cut from the center of the just-caught fish, first rubbed with olive oil and then quickly roasted over a red-sparking grapevine fire. The fisherman/cook laid them over a cool tomato jam and we feasted. Too, we ate yellow-crumbed semolina bread roasted over the then quieter fire, and when its heat was nearly spent, we skewered figs—green ones and the first of the summer—onto grapevine twigs and held them near the fire until their juices were warmed and we ate them with the last sips of Pantelleria’s luscious moscato.

Glorious Selinunte was raised up seven centuries before Christ and named by the Greeks after the wild, celerylike plant selinon, which then blanketed its riparian hills that fell to the sea. For us, the rests at Selinunte, more than any of the other Greek evidences, are the masterworks transcendent on Sicilia. There one can enter the great temples rather than stay, dutifully, achingly, behind a cordon. Hence, the temples there seem more familiar. One can remain, for a while, in the company of the old gods, to see the light change or to watch four chestnut horses, a newly foaled colt, and a fat, fluffy-haired donkey roaming over the fallow of broken marbles as though it were some ordinary meadow. One can eavesdrop on the discourse between two white doves until the silence comes—piano, pianissimo, save only the whisperings of wings. Some of the people we met who live in Castelvetrano, near Selinunte, spoke to us of a soup they remembered their grandmothers and aunts having made from a selinon-like plant that grew along the coast. They remembered it being smooth and cold, with a strong, almost bitter sort of celery flavor. Alas, neither selinon nor other wild grasses of its ilk are to be found. But prompted by our friends’ taste memories and our own sweet keepsakes of Selinunte, we fashioned this satiny, soothing soup to be offered on the warmest of days.

Harvests from the great, silent fields of sun-bronzed wheat result in more bread than pasta for la tavola siciliana, yet there is a trio of pasta dishes that is cooked throughout the island. One of them dresses pasta in eggplant and tomatoes perfumed with wild mint and basil, the whole dusted with grated, salted ewe’s milk ricotta. Called often pasta alla Norma in celebration of Catanian son Vincenzo Bellini it can be a gorgeous dish. Then there is pasta chi vrocculi arriminati—dialect for a dish that calls for a paste of cauliflower and salt anchovies studded with raisins and pine nuts. Although it is luscious, it cannot compete with the glories of the island’s pasta con le sarde. A dish full of extravagant Arab timbres, it employs fresh, sweet sardines, salt anchovies, wild fennel, and a splash of saffroned tomato. One presents the pasta cool, as though heat would be violence against its sensuousness. Wild fennel grows abundantly on the lower shanks of Sicily’s mountains and, too, along the craggy paths of some of her islands. I used to collect wild fennel along the banks of the Sacramento River and I’ve heard tell of great clumps of its yellow lace heads bobbing along country roads in America’s Northeast. Now I find it a few kilometers from our home in thickets against the pasture fences along the Via Cassia on the road to Rome. Though the scent and the savor of cultivated fennel is sweeter, it behaves well in collaboration with these other elements and yields a still-sumptuous dish.

Sitting a few kilometers from the snarls of the city’s traffic, Mondello is Palermo’s beachfront. Less chic than it is drowsy, the tiny port’s center is paved with little trattorie that offer still-writhing sea fish from which one can choose a fine lunch. And at noon, just as bathers and strollers longing for some icy little aperitivo start off for the bars and caffès, a husky, microphoned voice seeming to come from the fat, dark leaves of the old plane trees intrudes on the operetta. With the precision of a corps de ballet, the cast of characters pivots in the direction of a small white truck, chugging slowly, then edging to a stop in their midst. Lo sfincionaro has arrived. In another place, he might be called the pizza man, though his is hardly some prosaic pie. His voice invites: “Just come to see them. They are warm and fragrant. I don’t ask that you buy one. I only invite you to admire them.” We watched as there came a fast gathering of his devoted. Mothers and babies, men in rumply Palm Beach suits, Australian fishermen on holiday, an Englishwoman with a great yellow hat and a silver-headed cane. Children clutching five-lire notes collected, each of them waiting for lo sfincionaro to enfold a great, warm heft of his beautiful onion-scented bread into a sheet of soft gray paper. A traditional confection of Palermo, it is called lo sfincione. It is a crunchy, rich, bread-crusted tart—and close kin to southern France’s pissaladière—that cradles sautéed onions, dried black olives, sun-dried tomatoes, anchovies, pancetta, and pecorino. Fashioning smaller sfincioni and piling them up, newly born, in an old basket and passing them about with jugs of cold white wine can make for a lovely summer supper.

To tear at a beautiful, newborn bread and eat it with fat, salty olives, a potent red wine sipped between them, is a meal everlasting in its innocence and sensuality. Here follows the simplest of recipes that pairs the soft creaminess of roasted garlic with the olives for a lush result. The dish asks only a little dalliance in the oven. Roasting the olives plumps them, renders them voluptuously fleshy, tender. And when whole, fat garlic—caramelized in a long, slow roasting—confronts the salt-tinged meat of the warm olives, the whole becomes quietly paradisiacal. As beautiful as it is, stray for a moment from the red wine idea and consider a fusion, instead, with an iced Marsala Superiore Riserva or Marsala Vergine or Marsala Soleras Stravecchio—altogether different wine from the often industrially produced sweet varieties that find their way to the States and are used to make zabaglione or to splash sautéed veal. The crackling, almost dry golden chill of them leaves just a point of sweetness on the tongue.

Deep in the Gothic tangles of the Aspromonte sits the fourteenth-century Santuario della Madonna di Polsi, a refuge culled by an ancient order of cloistered sisters dedicated to the honor of the Madonna, through a life of acetism. Once a year, though, in the early spring, when pilgrims from faraway parishes walk over Monte Montalto to the sanctuary to celebrate the festival of the Madonna, the nuns sacrifice a flock of newborn lambs to the glory of her, braising their flesh in old, shallow coppers and feeding the faithful at long, rough-hewn tables set out on a meadow floor.