Make Ahead

Caligola, Caligula—the diminutive in the dialect of the Empire for shoe—was the name given to Caio Cesare, despot of the Empire in A.D. 37. And it was under the murky waters of the small volcanic lake of Nemi, south of Rome, that were excavated, earlier in this century, two of the emperor’s small sailing ships—toy boats, really—from which his madness commanded droll, demonic games played in the shadows of the lake forest, the once-sacred woods of Diana’s mythical hunts. Now the pine and oak forests about the little lake of Nemi seem serene enough, whispering up nothing of the old horrors of the place. There, in May, begin to push up from the velvety black earth the most gorgeous and tiny wild strawberries. We like to go there then, for the festivals that celebrate them, to eat them, cool and fresh from their woodsy patches. And on a Sunday last June, as the season for them was ending, we lunched in the town of Nemi, hoping to find one last dose of the berries for dessert. Sitting out on a shaded terrace that looked to the main square, we watched the promenading of the few citizens not yet seated at table. A little ruckus came up behind us from two boys jousting with silvered plastic swords. One of them was a robust sort of chap, thickset, his patrician black-eyed face in profile to us. His adversary was a waif of a boy, a miniature of the other with the same legacy of splendid form and feature. The small one was losing the battle. I tried not to feel every blow I saw him take, the bigger one thrusting the blunted end of the toy sword into his spare middle over and over again. The little one was crying, then, but hardly in surrender. His pain was evident, his fear, too, I thought, yet he stayed to fight. Then, throwing his weapon to the side, the victor began to use his hands to pummel him. The diners around were unmindful. I begged Fernando to do something, to stop them. He told me sternly with his eyes that we must do nothing. I got up and walked, nonchalantly, over to them. “Buon giorno, ragazzi. Come stiamo? Come vanno le cose?” “Hi, boys. How are you? How are things going?” I asked inanely, as though they had been shooting marbles. Gentlemen to the core, the bigger one said, “Buon giorno, signora. Noi stiamo bene, e lei?” “Good day, my lady. We are well, and you?” “What is your name?” I asked, playing for time so the little one might catch his breath. “Io sono Alessio e lui si chiama Giovannino.” “I am Alessio and he is called Giovannino,” offered the big one. I ventured further. “Alessio, did you know that you were hurting Giovannino, that you were hurting him so terribly?” “Sì, signora. Lo so di avergli fatto un pò male.” “Yes, my lady, I know I hurt him a bit,” he answered willingly. I asked him why he would want to be so violent with his little friend. Alessio looked at me full face: “Signora, siamo romani. Combattere è nel nostro sangue.” “We are Romans, my lady. To fight is in our blood.” Educated by the eight-year-old gladiator, I could only shake his hand, then shake the hand of Giovannino and walk back to our table. Fernando told me quietly that a Roman boy could never be Huckleberry Finn. During the lunch, I noticed that Alessio, now sitting on a bench between two people who were likely his grandparents, kept looking at me, waving once in a while, smiling at me with sympathy for my unworldliness. He strolled by the table a little later and asked if we were going to taste the gelato di fragole. It’s made with basil and pepper and vinegar, he proclaimed, as though that composition might be as difficult for me to comprehend as was his penchant for rough sport. He went on to assure us it was the best gelato in Nemi. We asked him if he might like to join us. He said he couldn’t, but thanked us, bowed rathe...

Il Pane della Ninna Nanna (Lullaby Bread). Neither very sweet nor pizzalike in the flat, savory pie sort of way, this is a gold-fleshed, orange-perfumed cakelike bread that, if baked with care, will be tall and elegant, its crumb coarse yet light and full of the consoling scents of yeast and butter. Fabriziana is one of the several “middle” names of the Roman countess with whom I learned to bake the confection in the cavernous old kitchen of her villa that looks to the gardens of the Borghese. Ours were clandestine appointments, with our yeast and our candied orange peels and the tattered recipe book of her mother’s cook. You see, Fabriziana had never cooked or baked in her life, had never made anything from a pile of flour and a few crumbles of yeast. Forbidden in the kitchen as a girl, her adulthood has been always too fraught with obligations to permit interludes in front of the flames. But in the years we have been friends, she has always demonstrated more than a kind interest in my cooking, sitting once in a while, rapt as a fox, on an old wrought-iron chair in my kitchen as I dance about. And one day when I told her I was searching for a formula for an ancient, orange-perfumed Roman bread, she knew precisely where to find the recipe. Trailing off in some Proustian dream, she said she hadn’t thought of the bread in too many years, it having been her favorite sweet at Christmas and Easter. Once she even requested that it—rather than some grand, creamy torta—be her birthday cake. She told of poaching slices of it from a silver tray during parties and receptions, stuffing them deep into the pockets of her silk dresses to eat later in bed, after her sister was safely asleep, so she might share them only with her puppy. So it was that we decided to make the bread together. Wishing to avoid the chiding of her family and, most of all, her cook, we chose to do the deed on mornings when the house would be safe from them. It was wonderful to see Fabriziana at play. Flour and butter were forced under her long, mother-of-pearled nails, and her blond-streaked coif, mounted to resist tempests, soon fell into girlish ringlets over her noble brow. With a few mornings’ worth of trial, we baked Fabriziana’s lullaby bread, the bread of her memories. And once, on a birthday of mine, the countess came fairly racing through my doorway proffering a curiously wrapped parcel that gave up the telltale perfumes of our bread. The countess had learned to bake indeed.

My ongoing quest to find new ways to eat butter, sugar, and nuts together resulted in this happy discovery: sbrisolona. A regional specialty of Mantova, Italy, this cookie gets its name from its crumbly texture. The dough is worked together by hand into a dry, coarse meal, pressed into a cake pan, and baked until it’s very firm. I follow the Italian tradition and break the giant cookie into rough, jagged pieces. Like biscotti, its dense, nutty quality makes it the perfect vehicle for scooping up zabaglione. This old-fashioned Italian custard is traditionally made by whisking egg yolks, sugar, and Marsala wine over simmering water. In this festive version I’ve substituted slightly sweet sparkling Moscato d’Asti for the Marsala.

If you’ve never had grilled duck breasts, you’re in for a revelatory surprise. The contrasts are striking: the smoke of the grill against the richness of the duck fat, the juicy meat capped by crispy skin. At the restaurant, we buy Liberty Farms breasts (see Sources), which I have found superior to others in taste and texture. They raise a variety of duck called Pekin, a smaller, more compact bird (a single breast is perfect for one person) with a brighter, more delicate flavor and feel. You may have more luck finding Muscovy duck breasts, which are heftier, more steaklike. If you use Muscovy, you’ll only need four breasts to feed six people. Grilling duck breasts requires some attention. The fat from under the skin will inevitably drip into the fire, causing flare-ups, which can blacken the breasts if you’re not careful. If a flare-up occurs, use tongs to snatch the breasts off the grill for a few seconds, then return them once the flames have subsided. You may need to move them around the grill almost continuously as the fat renders out. The reward for this vigilance, however, is perfection—crisp golden brown skin and plump, succulent meat. An easier option is to sauté them in a cast-iron pan over medium-low heat, still skin side down, taking your time to render the fat from under the skin. Once the skin is crisp, which can take longer than you might expect, turn the breast over and cook a few more minutes, until medium-rare.

Savory is possibly the most underappreciated herb in this country. I fell in love with it many years back when I was cooking in France. There, it’s used in the traditional seasoning mix herbes de Provence and added to all types of stews, ragoûts, and sauces. Its aroma—earthy, slightly sweet, and a little bit peppery—reminds me of the brush-covered hillsides where we played growing up. Winter savory, summer savory’s seasonal opposite, is more robust in flavor but would be a fine substitute in this recipe. If you can’t find either of the savories, substitute a combination of equal amounts of thyme, rosemary, and mint. This isn’t a difficult dish to make, but it does require some last-minute multitasking. Have your prepared ingredients—or, as we say in the kitchen, your mise en place—ready to go. Be sure that your herbs are chopped, the vinaigrette is made, the crème fraîche is mixed, and your seasonings are in reach. This dish is a great way to initiate the unconverted to the Church of the Fava Bean. The potatoes and favas are mashed together with butter and finished with pea shoots and a vibrant Meyer lemon salsa. The seared halibut goes on top with a dollop of savory crème fraîche.

Trying to come up with a new sugar cookie recipe is like trying to reinvent the wheel. Over the years I’ve tried, but, inevitably, I always come back to this one from Chez Panisse Desserts by Lindsay Shere. Sometimes I like to top the sugar cookies with a little black pepper, fennel seeds, candied ginger, or lavender sugar, but here they’re embellished with candied tangelo zest to complement the “Creamsicle.”

The stated purpose of my junior year abroad was to study at the famous London School of Economics, but the first thing I did when I got to England was land a part-time job at the Roux brothers’ (also famous) restaurant, Le Mazarin. Of all the challenges of living abroad, I never thought I’d have a problem finding something decent to eat. Boy, was I wrong. While the food we served guests at Le Mazarin was topnotch, staff meals were a different story. Stripped chicken carcasses, limp vegetable trimmings, and, if we were lucky, a box of just-add-water mashed-potato flakes were the components of just about every meal. The rest of London wasn’t offering many great options either at that time. Fish and chips and heavy pub fare dominated the food scene in the late eighties, before Britain’s culinary renaissance. The one thing I found worth eating (and could afford on the £10 a week my job paid) was scones with clotted cream and strawberries. And that’s exactly what I ate, for 6 straight months. After so many meals of strawberries and cream, it’s a wonder that I still love that combination. Panna cotta (“cooked cream”), a silken, eggless Italian custard, is an easy-to-make complement to perfectly ripe berries. I’ve added crème fraîche to the traditional recipe to balance the strawberries’ sweetness with some tang. You can make the panna cotta in individual ramekins and unmold them just before serving or make it in a large gratin dish and spoon it out at the table family-style.

Black cod, despite its name, is not a true cod. Its other names—sablefish and butterfish—suit it better: its texture is as silky as sable, its flavor as rich as butter. I love the Japanese pairing of black cod and miso, but in this recipe, black cod gets a French treatment, a smothering with hazelnut brown butter. Ask your fishmonger where the black cod is from. It’s overfished in California and Oregon so look for black cod from Alaska, where the commercial fishing is better regulated. Black cod has a single row of bones that is very difficult to remove when the fish is raw. You can ask your fishmonger to remove the bones or cut them out yourself before cooking. Or just cook the fish bones and all; it’s easy to spot them and eat around them.

This cake was a collaboration of sorts between my husband and my pastry chef Roxana Jullapat (don’t ask!). I love this cake so much that, when it came time to think about my wedding cake, I wasn’t concerned with the flowers on top or the color of the icing; all I knew was that I wanted to serve this incredible hazelnut–brown butter cake. A simple recipe of ground hazelnuts, egg whites, and sugar combined with brown butter results in a moist, rich cake with a delicate, slightly chewy crust. Little did I know, it would take 25 pounds of hazelnuts, 25 pounds of brown butter, and 150 eggs to make a cake big enough to feed our 140 friends and family.

I associate chestnuts with winter scenes that while I live in Southern California exist only in my imagination: snuggling up by the fireplace while the snow falls lightly and chestnuts roast on that proverbial open fire. One Christmas Eve, after a few hot toddies and with visions of chestnuts dancing in my head, I revisited my family’s traditional stuffing, determined to make my winter chestnut obsession a reality. For me, the stuffing, not the turkey or roast beef, has always been the highlight of holiday feasts. In fact, when I was a kid, one of my big culinary promotions was when I finally got to take charge of the stuffing. For the first time, my mom gave me carte blanche with the spice cabinet. I pillaged her Spice Island jars and doctored up the Pepperidge Farm box mix, experimenting with how to make things taste better. Now, as a chef, I’ve learned that seasoning is one of the keys to making all things, stuffing included, taste their best. Good stuffing starts with a great loaf of bread, torn into croutons, tossed with a generous amount of olive oil, and baked until crispy on the outside and soft in the center. Then I add lots of onion, pancetta, rosemary, fennel, chile, thyme, lemon zest—and chestnuts, of course. The biggest mistake people make at home is underseasoning their stuffing. Don’t be afraid to spice it up with plenty of vegetables, herbs, and seasonings. And remember to taste as you go.

One particularly chilly weekend (yes, we have those here every once in a while), I needed a dish that would be opulent and soul-satisfying. At first, duck braised in red wine came to mind. But, I wanted something even more intense and a little bit sweet, and I arrived at Banyuls, a fortified wine from the south of France. Extracted from grenache grapes grown on the rocky, terraced vineyards that overlook the sea, Banyuls is classically paired with chocolate and has deep notes of chestnut, mocha, and dried fruit. As the duck and Banyuls cooked together slowly in the oven, the deeply concentrated wine permeated the meat and produced a rich ruby broth. A gratin of turnips and potatoes dotted with prunes and baked with cream proved the perfect companion for the tender, falling-apart duck bathed in crimson juices.

My first real chef position was at Alloro, a small Italian restaurant in Boston’s North End. In this all-Italian neighborhood, the owner was not Italian, but rather a Portuguese guy named Armando. Some cultures care more about food than others, and, like the Italians, the Portuguese are definitely devoted to their cuisine. Armando loved to tell me about the Old Country and the dishes his mother made for him when he was growing up. This dish is traditionally made with pork loin, but when I tried it, the loin was dry and didn’t seem to marry well with the flavors of the clams. So I decided to try it with pork confit, which would get crispy on the outside but stay meltingly tender on the inside. To give more pork flavor to the broth, I added chorizo and came up with my own version of pork (and pork!) and clams. In honor of Armando, I always make my pork and clams with fried potatoes. If he had his way, everything would come with fried potatoes.

I stole the marinade in this recipe from my husband. That strange combination of ingredients—toasted bay leaves, coriander, white pepper, honey, and sherry—lends an exotic and aromatic quality to the squab. Farro, Kabocha squash, and cavolo nero are three of my favorite things on earth, so in this dish, I just give in, sautéing them all together into a slightly labor-intensive but super-delicious “stir-fry.” I could eat it for lunch (or dinner!) every day. Embellished with a jewellike pomegranate salsa, this dish is a foray into the Near East.

The first time I had gâteau basque, I was living in the southwest of France and trying, in my little spare time, to sample as many of the local treats as possible. Gâteau basque, a very moist, buttery cake with a certain je ne sais quoi, was by far my favorite. Despite its name, it’s not really a gâteau, or cake, but rather two layers of buttery, crumbly crust filled with pastry cream. As it bakes, the crust and filling meld into one delicious whole. This rural dessert has many interpretations, with fillings that vary from almonds to raisins to fruit jams. For this version our first pastry chef, Sara Lauren, came up with a pastry cream spiked with an unusual combination of Armagnac, rum, orange-flower water, and almond extract. The cake doesn’t taste like any one of those flavorings, but together they somehow evoke that unforgettable flavor of the Basque country.